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I ordered a Proust 6-pack after perusing Alain de Botton's "How Proust Can Change Your Life" and decided, right then and there, to succumb to the thousands of pages. Envisioning "In Search of Lost Time" as a sort of replacement for playing excruciatingly long, sinuous Wagnerian phrases—what notes are to music, words are to prose—I was not mistaken. Every Gospel-like page that I turn, transports me to salons from my past where local braggarts compared stock market successes and flaunted Bar and Bat Mitvah parties. As a music librarian once asked: What do you give the thirteen-year-old child who already has the moon?
As you can see, I get a bit worked up over what must seem like tit-for-tat. It's the Jewish New Year. I'll begin with a fresh tradition. Proust owned a theatre-phone on which he used to listen to live performances. Metropolitan Opera at the Movies will become my new tradition, which hopefully guarantees a snob-free zone featuring first-rate productions, by truly world class singers and orchestra musicians, like oboist Nathan Hughes. No hearing aids or opera glasses needed. Popcorn?
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